Monthly Archives: August 2017

Embarrassing Old Stories, Part 1

A while back I came across some old stories I’d written and mostly forgotten about. I remembered them immediately, like old friends you’d thought long lost. In the world of nostalgia and memory, they were beautiful. Then you look at them and you realize how ugly they are, and misshapen, and your very soul cringes and hopes no one ever sees them.

 

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This is me, right now.

 

Then you do like I do, say fuck it, and throw them up on your blog.

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The Republicare Vote

I didn’t want to go.

I just wasn’t in the mood, really. I’d been working all day, and would have to do the same tomorrow. The prospect of driving for an hour to go home, then to ride in a car for two hours in order to be surrounded by strangers, followed by disappointing news, then on top of that having to ride all the way back home feeling down – it wasn’t an appetizing thought.

Hell, I was already depressed and anxious enough. Those two feelings tend to follow me almost all of the time, and it always takes at least a little effort to keep them at bay. Some days are worse than others, and on that Thursday they were feeling pretty damn strong. I struggle now and again with, well, a lot of things, and some days are harder than others. The really fun thing about my own particular cocktail of misery is that my depression makes me want to be alone, my anxiety makes me unable to cope with social situations (to the point where I often find myself unable to face the prospect of asking another person to give me food when they are literally being paid to do that very thing and so I’ll skip lunch instead), and – here’s the fun part – being alone makes me more anxious and depressed. It’s a good time.

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Atomic Blonde is the Most Important Feminist Movie of 2017. And Possibly Ever.

(I am absurdly pleased to host this post (with the most) on my blog. These are not my words, but I am 100% behind them. I am also proud to have something worth reading on my blog for a change.)

Hi, I’m Jules. I’m Alan’s wife and I’m writing a guest blog here instead of on my own blog because I just got a job that requires me to interact with folks in DC and now I’m paranoid about the people I work with finding it. It’s not that I think they’d take issue personally with the content, it’s just that the things I have to say about this aren’t the most professional things I’ve ever said. So with that disclaimer, here we go!

So the year is 2017 and apparently, Charlize Theron only makes badass lady movies now. Let me be (probably not) the first to say that I am 100% here for that. Mad Max: Fury Road was hailed as a feminist masterpiece, which it unequivocally was. It was also just a really fabulous action movie and, considering it was a reprisal of an 80’s franchise, that’s pretty impressive. But I’m here to talk about Theron’s most recent empowering bombshell, Atomic Blonde, which is in a whole different class. It’s not set in a post-apocalyptic desert world, it’s set in late eighties Berlin. It’s fiction, sure, but it’s not exactly fantasy. That very fact is groundbreaking in terms of the portrayal of strong women.

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